Tuesday, December 31, 2013
Happy New Year!
May your new year be filled with peace, prosperity, a writer's insight and love (not necessarily in that order). Thanks for reading and commenting this year. See you all on the other side!
Monday, December 30, 2013
When Small Things Grow Big
Well, we pulled it off, folks. Christmas has come and gone and we survived. I'm sure you're as relieved as I am. This time last year, I had this same sense of relief, but also a feeling of letdown. You see, my daughter has a Christmas birthday (actually it's three days after), so I usually have to plan a party the weekend after Christmas.
Last year, sick of the grind, I planned the birthday in mid December instead. My reasoning was that it's hard to find a day that everyone can make it during that busy Christmas week. People are traveling, visiting, working or recovering from various alcoholic and culinary indulgences. It's getting harder and harder every year to coordinate this party.
Plus, did I mention her birthday is also my wedding anniversary? It's a big drag to have to clean all the bathrooms on one's wedding anniversary. Doesn't really propagate warm, fuzzy feelings of marital bliss. Neither does making a meal for twenty people, decorating a cake and stashing Christmas presents or dusting and vacuuming around the ones that can't be stashed. I'd much rather be lying around like a slug leafing through my wedding album in front of a roaring fire. Last year, that's exactly what I did. Yet in the absence of the big family party, I found that I kind of missed all the hullabaloo.
So we went back to having it on the actual day. Not everyone could make the party. Some were out of town or working, but it worked out that the ones who missed the celebration last year could make this one, so it's all good. We ordered yummy Middle Eastern food in the hopes that it would provide a nice balance for all the rich stuff we'd consumed over the holiday. Which it did, according to the guests. And I'm thinking that I'm pretty grateful for my daughter. For the privilege of personally witnessing her transformation from an itty-bitty baby with Billy Idol hair and Mick Jagger lips to a blonde version of Audrey Hepburn. I'm grateful that she was born at such a celebratory time. And that I was able to welcome a new century in with bringing a brand-new baby home from the hospital. (My first.) I'm grateful that the only Y2K glitch that year was that the hospital lost her first photo. Pretty benign as Y2K glitches go. The photo was probably pretty ugly anyway. (If you've ever seen a first-time baby pic, I'm sure you'll agree they look a bit...distorted.) Besides which, we took more. A couple trillion or so. Here's celebrating my small daughter who became big. She's well on her way to striking out on her own someday, while we look on with pride. Not bad for a year's work. Or fourteen.
Saturday, December 21, 2013
Small Things
I'll start with an extremely small one: my bank account. December is a horrible month for our finances and it's been compounded this year by an instance of credit card fraud. We're not alone in this, but we were lucky to find out about it the day before all the Target customers discovered they were victims of the retailer's data breach. I imagine we squeaked in just before the bank was flooded with calls, so I'm hoping the investigation will go forth without a hitch. And I'm thanking God for the small favor that there even is an investigation, because it means we probably won't be held accountable for the charges. Unfortunately, the reason I'm so confident of this is that it's happened before. On the bright side, the situation makes for a good excuse to post a scene from one of my favorite holiday movies. Here's Bing Crosby in White Christmas, reminding us not to sweat the small stuff. I'm going to take his advice.
Thursday, December 19, 2013
Killing Christmas
I am a huge Killers fan. I mean, how can
you not approve of this?
So I was super excited when I realized the band releases one Christmas single every season. They have about six songs out, available for your listening pleasure on Youtube.
I’m proud to say I’m into edgy Christmas music. I own a CD (do they still have those?) called The Edge of Christmas, which is all the proof I need that I’m an edgy chick. Plus, I’m totally open to someday doing either the Laura Ingalls Wilder or The Fred Claus version of celebrating. The former would entail lots of oranges, a smattering of sugar cubes, which we would savor all day long, and handmade gifts. The kids would offer to milk the cow for us for ten days, giving us a well-deserved break. The Fred Claus holiday would put either a baseball bat or a hula hoop under the tree—one for each kid, dependent on gender. (Red alert! That sort of makes it sexist. Is it better to fall prey to mass consumerism or sexism? I must ponder.)
I’m proud to say I’m into edgy Christmas music. I own a CD (do they still have those?) called The Edge of Christmas, which is all the proof I need that I’m an edgy chick. Plus, I’m totally open to someday doing either the Laura Ingalls Wilder or The Fred Claus version of celebrating. The former would entail lots of oranges, a smattering of sugar cubes, which we would savor all day long, and handmade gifts. The kids would offer to milk the cow for us for ten days, giving us a well-deserved break. The Fred Claus holiday would put either a baseball bat or a hula hoop under the tree—one for each kid, dependent on gender. (Red alert! That sort of makes it sexist. Is it better to fall prey to mass consumerism or sexism? I must ponder.)
Anyhoo, my Edge of Christmas CD is a
collection of non-traditional songs, including Christmas Wrapping by The
Waitresses, some song by Freddie Mercury, the quartet of God Rest Ye Merry Gentlemen
(featuring Sarah McLachlan and the Bare Naked Ladies) and the duet between Bing
Crosby and David Bowie—arguably the best holiday song ever recorded. It’s great—yet
it’s still met with resistance when we add it to the mix at family celebrations.
Any deviation from Christmas in Killarney or the Sinatra family rendition of
The Twelve Days of Christmas (which—frustratingly—mixes up all the words) makes
my family queasy. They dig Nat King Cole, Bing, Sinatra and Vanessa Williams, but
draw the line at BNL’s Elf’s Lament or The Hannukah Song. It’s okay. To each
his own.
So I checked out the Killers Christmas
offerings from years past, confident that I’d be adding them to my holiday
playlist. I typed: Killers Christmas into a Youtube search and got a song
called…..Don’t Shoot Me, Santa. Um, okay. The video features a creepy Santa (as
if the concept of Santa isn’t creepy enough on its own) having a sock puppet
show and eventually tying Brandon Flowers up with garland. (Hmm, maybe that part
wouldn’t be so bad if it weren’t blatantly unrealistic. As if garland could
seriously restrain anyone.) It’s pretty frightening. If I put that in my player, I’d
scar my children for life. And maybe my husband too.
The next song that popped up was Joseph,
Better You Than Me, which is another one that probably won’t make the Kreft or
Morrison Christmas cut. I had high hopes for Happy Birthday Guadalupe—and to
give it credit, it was more upbeat than the lament about Joseph’s trials as an
alleged cuckold. Yeah, I can dig Happy Birthday Guadalupe. If forced.
Next was Boots. The video starts off promising,
with Jimmy Stewart’s prayer sequence from It’s
a Wonderful Life. So! Yay. It soon disintegrates into shots of a homeless
man pining over a photo of a beaming blond family. Now, I understand that in a
video you have to tell a story in a very short amount of time—and it’s not
going to be anywhere near the caliber of a well-plotted movie like IAWL—but I’m
going to go out on limb and say that homeless people rarely carry 5 x7 glossies
of their beaming families. If they even have beaming families. Which they do
not.
Last but not least on the playlist was The
Cowboy’s Christmas Ball, which sounded like a mash-up between a Johnnie Cash song
and The Walt Disney World resort promotional video.
I briefly contemplated adding one of these
to the CD shuffle at our Christmas celebration. In all fairness, it would
probably go unnoticed—like almost everything we do goes unnoticed when we’re
surrounded by beloved family members—but my husband and I are gluttons for
punishment. We relished hearing Don’t Shoot Me Santa pop up between Vanessa
Williams’ Do You Hear What I Hear and some Johnny Mathis horror—just to see
what would happen. Then we decided that even we could never be that cruel.
Although A Great Big Sled (above) is always a possibility. That one’s not too bad
and there’s the added bonus of being able to tell my mom that there exists a
music group called The Killers. (I can already hear her say: Who’d listen to a band
named after felons?)
The Killers get an A for trying to rebel
against this asinine fight to the death that Christmas has become, but a big,
fat E for subtlety. I should thank them, however, for pointing out that holiday
traditions are so ingrained that even an edgy person like me can’t easily
dispense of them. If that was their intent, then they killed it. I now
know that it would take more than an epiphany to get me to listen to The Cowboy’s
Christmas Ball over Mele Kalikimaka. Although I might give it another go at Epiphany,
which I hear is a religious event disguised as an excuse to leave the
decorations up a week past the hullabaloo.
Happy Holidays to all!
Kill Christmas this year for me! (If you’re Christian.)
Monday, December 9, 2013
Maybe Next Time We'll Think Before We Tweet
Americans expressing hate for The Sound of
Music Live on NBC awoke today to find that their pretty little souped up four
wheel drives had been keyed. There were hundreds of calls to police stations
all over the nation, as complainants lamented the ugly slashes across both the
driver- and passenger-sides of their automobiles.
“The evidence seems to indicate that
someone has unleashed vast amounts of pent-up rage on these vehicles overnight,”
said Sergeant Christophe Pipefitter of the North Bend Police Department. “I don’t
know what could’ve caused this person to go off, but it had to be something big.”
Owners of cars with leather seats reported
that their upholstery had been shredded beyond recognition into the semblance
of a name. The damage was so bad it was unclear which name exactly, but some victims were
able to make out the letter “C” amid the carnage.
There were also reports of headlight
damage and holes in tires across America. A Louisville slugger was found
abandoned in a vacant lot in Salem, Massachusetts. It was taken into evidence
and is being dusted for prints, but authorities aren’t optimistic about finding
a suspect.
“We got an anonymous tip that the
perpetrator took to the mountains in hopes of immigrating to another country,”
Pipefitter said. “I think we’re gonna have to put this one to bed in the cold
case file.”
But going to bed might be hard for the
hundreds of victims whose cars have been vandalized.
“I went to bed, because the sun had,” said
a tearful and exhausted Gretyl VonderKemp of Hoboken, New Jersey. “And look what happened. I never
expected to wake up to this.”
“You should’ve seen my boyfriend Ralph’s
expression when he saw his Hummer,” Gretyl’s sixteen-going-on-seventeen-year-old
sister seconded. “There’s no way to describe the sense of violation. We were
totally unprepared to face this.”
Police said the MO is reminiscent of some vehicular
crimes that had swept the nation in 2007, coinciding with the release of the
album Some Hearts.
Carrie Underwood, who happened to be nearby
fording streams and following rainbows, reiterated her comments of earlier this
week. “Mean people need Jesus.” Underwood also cited the Biblical passage, 1
Peter 2:1-25.
Wednesday, November 20, 2013
Knitting with the Enemy
Let me make one thing
clear. I don’t knit. I wish I did, but I don’t. This blog isn’t about knitting,
anyway. It’s about a gap way bigger than my thigh gap, which—if you’re
wondering—is the term assigned to describe the space between a woman’s thighs.
In my case, it’s nonexistent. I don’t have time to talk about non-existent
things (Generation Xers don’t, as a rule), so instead I'm going to conquer something that exists with a vengeance. The generation gap.
I called the blog Knitting with
the Enemy because it occurred to me that I spend a lot of time conversing with
older people, primarily women. And we’re different. Back in the day, I thought
it was because they were old and I was young. Being no longer young, I’ve
realized that age had nothing at all to do with the antagonism expressed between
women of different generations.
Case in point: My mother, who is nearing 80
years of age had an altercation with a woman in her nineties at the senior
center, where my mother is apparently considered to be “one of those flighty
young whippersnappers” who’ve ruined the world. Who of us haven’t been victims
of this mindset?
Take the movie Sleeping With the Enemy (See? I got around to explaining the blog title. If at first you don't succeed, yadda yadda) The film stars
Julia Roberts and some mean-looking guy and is about a woman who seems to have everything—a beautiful
home, money, lovely clothes, handsome husband—until we find out that the
husband is a bastard dictator who also beats her. (Like I said, mean.) Sure, we’re horrified when
Julia’s screen husband demands that she line up the towels just so and alphabetize
the canned goods. We gasp up phlegm when he slaps her around because the toilet
paper roll is a millimeter off-center or the lamb is under-cooked, the chutney
ruined.
As I recall, women of my generation were
clutching their theater seats to keep from running up to pummel the male lead while
screaming “You’re lucky to be getting a hot meal, you ingrate!” But there was another
group of women whose eyes were darting about in the darkness. Although ashamed
to admit it, they’d allied themselves straightaway with OCD man and remained
pretty firmly on his side, perhaps until he planted that first blow. While no one likes
to see Julia’s pretty face get messed up, thoughts like: I love a well-kept
house, or she should have dinner on
the table for her husband were floating around that theater, believe you me (Is that a thing? What does that even mean? Believe you me.) I
could feel the vibes ricocheting off the screen.
If Martha
Stewart saw that movie, she was probably wondering the whole time why the film
was even called “Sleeping with the Enemy.” He’s only looking out for her best
interest, thought Martha, as the empire she built by pointing out the inadequacies
of others flitted through her mind’s eye. What’s wrong with that?
Yeah, it took a stint in jail to mellow
her out. Let’s not let it get to that point, folks. Three words. Get off Pinterest.
If you’ll agree to do that, I’ll refrain from making
fun of the thirty-somethings walking around, shopping with their I-phones held
in front of them like old guys once held the TV Guide crossword puzzle in days
of yore. I’ll be super-supportive of the parents who are picking out their
dinner wine as their toddlers teeter on the verge of death, doing the
hokey-pokey in the seat of the grocery cart. (“Oh, look! Skylar can turn herself around!
How cute is that? I’ll send you a picture”) In fact, I’ll carry around a pile
of concussion awareness sheets, like the ones they hand out at the pediatrician, and slip one of them to parents, quiet as a Mickey. No judgment intended,
just safety. I’ll join Lean in and try to read about a support network of
working women without allowing my envy to short out the Internet. (Hey, I didn’t
have that when I was working, you young whippersnappers. Ingrates!)
It all boils down to jealousy really, and
we should rebel against that type of thing so we can all knit peacefully
together someday. Except I don’t knit.
And if it’s important to teens that there
be a little gap of space between their legs, I’ll try to understand. Maybe that’ll
keep them from being obsessed about other things that might be going on down
there (but I doubt it). What am I saying? Down with thigh gaps! There are better gaps to think about, more important gaps. Gaps in teeth, resume gaps, pick a gap!
Flabby thighs aside, we Gen-Xers have got
you all sooo beat in terms of cool demographic monikers. And that includes you,
Baby Boomers (Although Baby Boomers sounds way better than Spawn of Men and
Women Who Responded to their Fear and Uncertainty in the Face of Death By
Having Extraordinary Amounts of Sex……Or does it?)
Monday, October 14, 2013
Thank you, Phantom Gardener!
Looks kind of fake, doesn't it? |
It all started in the spring. I decided to
cut back on my flower budget, resolving to make do with a few hanging pots that
were Mother’s Day gifts and some perennials that I moved from elsewhere in the
yard. Freebies all. There was the necessary evil of replacing three spirea
bushes that had died, but we left the bed on the other side devoid of bushes. I
told myself it was because things were looking too symmetrical. Now I know that
I was too lazy and cheap to buy and plant three more matching spireas. Some
lovely wildflowers are just the thing, I thought, anticipating a slightly
lopsided look. It’ll be like that hairstyle that’s shorter in the back than in
the front. Angular chic.
Unfortunately, I’ve never had luck with
wildflowers. Deep down, I knew they’d never grow well enough to offset the
three bushes on the other side. The tame wildness of an English garden has
always been out of my grasp—and would be again, I feared. In any case, we spent
less than a hundred dollars on the yard, and that included veggies for the
vegetable patch.
Okay,
so the transplanted perennials finally took and spread this season, filling out
the kidney-shaped bed that had looked pretty dire in past years. I owed a debt
to early and extended bloom times, thanks to unseasonably warm weather followed
by a stint of cooler summer nights. I think we had TWO springs instead of one. This
benefited the front garden, which I barely had to weed, and time for writing emerged
as sure as spiderwort.
I should’ve mentioned that these floral
cutbacks had to do almost as much with time issues as financial. I resigned
myself to letting the yard go to pot in the name of finally finishing my damn
book.
But I didn’t have to cope with a yucky
yard, because the Phantom stepped in. A perennial that I’m sure I accidentally
pulled, thinking it was a dead bloom leftover from last summer, popped up in
another spot and grew to huge proportions. (My friend’s theory is that a
squirrel dug the bulb up and relocated it, but I know it was the Phantom.) Smack
dab in the middle of the wildflowers that never were and flanked by armies of
blue bells, it gave the air of wildflowers. As if I’d planned it that way.
At the same time, a crop of petunias in
all colors began to bloom along the back of the bed, apparently seeded from
last year’s hanging pots. Since there were no longer any bushes to cover them
up, the freebie petunias could be seen from the road. There were so many
varieties that I was able to transplant a patch of white to the front. There
they complemented my pre-planned pansies.
In the back of the house, similar wonders
were afoot. Since au naturel was the theme, I planted only one thing around the
patio. The rest of the beds were occupied by herbs and odds and ends. (Smelled
wonderful.) The plant I went with was a climbing yellow something or other from
my mother-in-law. She gets me the same plant every year and I think I’m the
only one in the family who hasn’t found the proper spot for it. Wherever it
ends up, it look green and lush but refuses to climb, its blooms sparse. I’ve
tried to plant it near a trellis, in a wishing well and along a line of netting
meant to lure it up the porch railing. No go. Meanwhile, my mother-in-law’s not
only climbs like a toddler on speed, it becomes top heavy with blooms. Its
vivaciousness taunted me whenever I went over there.
So this year I literally plopped it in and
expected it to snub its little picket-fence neighbor. Yet not only did it climb
the fence, it scaled the deck. And simulated the container garden I’ve
always wanted. Thank you, Phantom Gardener.
You wouldn’t believe how many compliments I’ve gotten on the yard this year.
You wouldn’t believe how many compliments I’ve gotten on the yard this year.
Here it is almost wintertime and I’m still
benefitting from my Phantom Gardener. Around the hydrangea shoot I transplanted
(from a bigger bush in front) a patch of moss roses from years ago sprouted,
adding some well-needed color to the patio. They’d re-seeded in a symmetrical
formation at the base of the budding bush, which also took immediately to its
new location.
One day I noticed some moss rose vines
shooting up from a container I’d left out for a few days. While I never planted
them, I took the pot into my house and set it by my kitchen sink. With a little TLC, I
know I’ll be able to keep it alive through the winter months and enjoy a little
touch of Spring when I need it most. All thanks to my Phantom Gardener.
Wednesday, September 18, 2013
The Parent Club
I interrupt this session of writing to get
some anger off my chest. See, it’s been festering since August 12, which is the
day I went to Cedar Point with my family. We joined a few other families there.
It was actually a Girl Scouting activity. The troop covered the day-trip with
the proceeds from their cookie money. We walked around, stood in line, rode
rides and eventually drifted away from the others in our group. That was okay;
the Scouts plugged this as an individual family event. It was a good time….until my three
kids, my husband and I decided to go—not on the Dragster or the Raptor or the
Gatekeeper—but….to THE PARKING LOT…Dunh-Dunh-Dunh…togetourjackets. (I’m trying
to make this more dramatic as a build-up to the cause of my anger.)
Thursday, September 12, 2013
National Cry-in-Public Day
Hey, I’m in a blogging
mood today. So back to blogging I go. This’ll be a dark one, unfortunately, despite the dwarf video. I’m
such a dreary ghoul these days. I might swear a little. Here’s why: Yesterday was 9/11 and I had to
take my mom for simple out-patient surgery, during which I realized just how
vulnerable I am. Seeing her vulnerable does that to me. I know, it’s selfish of
me to be so self-absorbed. I should be thinking of her, or the nation, or the
people suffering through yesterday. I mean, it’s not like I was innocently
working away at my hard-won job when a plane smashed through my office walls. I’m
lucky. I’ve never had to jump from a gazillion-floor building to avoid being
crushed to death by debris, choosing one bad death over another. I didn’t have to imagine that happening to a loved one, or hear about it on TV, or think about it in
the depths of the night. I didn’t lose anyone that day. Nor have I received the
dreaded call from my kids’ schools. We’ve had Lock Down Drills, but not the
real deal, even though our neighborhood could be a twin to Sandy Hook. No wonder it
clawed away at my insides to see that community go through what it went through. Likewise it makes me sick to hear my husband relate his coworker’s rants. Sandy Hook
was just something the government came up with so Obama could take away their right
to bear arms. (Yes, there are crazies all around. Great, now I sound paranoid.)
Still, I need my mom so much, and there
were times I feared something might’ve gone wrong during this simple no-brainer
surgery that takes three minutes tops. So what if thirty other people were
having the exact same thing done? It took two hours when you factor in all the
prep and stuff, and the whole time I thought about people who send their kids
off to school unaware that this will be the day the teen with untended
mental illness comes in to wreak his twisted sense of judgment. In a world
where chaos reigns, how can I be sure my mom won’t be the one in a million? The
one time this surgery goes bad?
In the waiting room, I read a book about
Columbine while the coverage of 9/11 memorials played in the background on mute (for me. For others, there might've been sound). Flags
flapped, people alternately bowed their heads and saluted. Victims cried. The
book was Wally Lamb’s The Hour I First
Believed. Take it in small doses, people, but take it—just not during a
loved-one’s surgery or on September 11th. I think I might’ve been torturing
myself for not having lost anyone to
these horrible things.
Of course, everything went fine with my
mother. (Once again, I lucked out big-time. I should play the freaking lottery every day! I never play it.) That
evening my kids told me what they did in school to preserve the memory of
the tragedy that occurred twelve years ago, which was watch this: Patriot Day video. My husband and I told them (again) exactly
where we were and what we did that day. I’m sure all the teachers did the same. He’d
taken the day off work to be present for the delivery of our swing-set. I was
running up to get some diapers for my one-year-old daughter, and I listened
with wide-eyed disbelief (or—I’m ashamed to say—more like narrow-eyed
skepticism) to what I thought was the War
of the Worlds prank all over again. In fact, I kind of blamed OrsonWelles for what I was hearing. Goddamnit, I remember thinking, if
freaking Welles hadn’t tried to be some macho radio pioneer, this wouldn’t be
happening now. What can I say, the
frightened mind is rarely rational.
After our recollections, my kids reminded me they hadn’t yet been born on September 11, 2001, and the one who had been born (my diaperless daughter)
didn’t remember it. (How could she? She was only one.) Columbine popped into my head.
NONE of them were around for that.
This hobbled me emotionally because I looked
at my three kids and a voice in my mind said: there will be something else. Something that will
rock their world and change it. From that day forward they will always remember
where they were when it happened. They’ll remember every little detail. As that
knowledge trickled down into my gut, I had the chilling realization that
whatever it was lurking in their future, waiting to strike—it would be bad. No generation is exempt. Thus far, the pattern of
chaos has been totally predictable in this regard. It will happen.
I never cry in public. Frightens the
children and turns off the people working the deli counter. Inappropriate. Besides, what the fuck
do I have to cry about? Did my husband perish at the Twin Towers? Did my
seven-year-old miss his birthday because of some family’s lost and damaged son?
Not crying in public is a tendency I share with Wally Lamb’s main characters.
It’s a weakness in wolves' clothing, disguised as strength. They think it’s
because they’re men. I beg to differ. Because, last I checked (and I check
daily), I’m a woman, yet as reluctant as the next guy to turn on the waterworks.
I’m like a cowboy (not the ones in
Brokeback Mountain).
I want to change. I want my crying jags
to see the sunlight, no longer exiled to the laundry room. I propose we
institute National Cry-in-Public Day. (I’m writing my congressperson now. Wait!
Who’s my congressperson again?)
See, at church on Sundays? I’ve been noticing
these people. They cry silently through prayers or during the petitions or even
during announcements. Either church is their
laundry room or they’re far braver than I. Let’s say for argument, though,
that they’ve lost someone recently and they have an excuse for their grief. I’m
still envious of them, and a little fascinated. By putting their grief on
display so publicly, they defy us to address it. I wish I had the bravery to go
up and stand next to them. To say: I see your sadness. To sit with them for a minute, bonded by mutual fear. Except I’m the ice-blooded pussy who
hides in her laundry room to cry. (Can a woman be a pussy? No? Ironic.)
National Cry-in-Public Day would put an
end to all this agonizing. (More irony.) We'd be obligated to cry, reason or no. Crying would be revealed for what it is: a sign of
strength, not weakness. An acknowledgement that in the face of bad things, we
are not going to retreat to our laundry rooms. We are going to flaunt our
sadness and with it, the wisdom gained from a lifetime of intermittent
tragedies. This might not be the end of the violence, but we won’t pretend to
be strong anymore. We are vulnerable and we know it. See, you’ve got nothing over us
anymore, chaos! Fuck you, and the monsters you breed. You might be too random (finger
quotes here) to realize it, but crying cleanses, dude. So just keep hiding
behind your trench coats, your demented fb pages, your little booby traps, your
bombs and guns. Meanwhile, we’re gonna cry ourselves as naked as the day we were born.
SIDE NOTE:
Okay, here I was gonna place a video of "It's Alright to Cry" from the psyche-forming Free to Be You and Me. But that message didn't really sink in with me, whereas this one did. Besides, it's funny.
SIDE NOTE:
Okay, here I was gonna place a video of "It's Alright to Cry" from the psyche-forming Free to Be You and Me. But that message didn't really sink in with me, whereas this one did. Besides, it's funny.
Wednesday, May 29, 2013
Help! I Am Becoming My Chair!
Mine was a hardcover. |
There are various reasons that this book
is life-changing for me. Numero One: It got me thinking of what my kids would
taste in my food—and I didn’t like what I came up with. Numero Two: The genre
of the book is one that I’ve been drawn to over and over. My last reading stint
included two books by Sarah Bird (The Gap Year and the Yokoto Officers Club).
These two and Aimee Bender’s Cake are
examples of a fascinating crossover genre that incorporates a lot of YA
elements in a story that is placed firmly within the realm of adult literary fiction.
It’s not New Adult—because that category doesn’t seem to embrace the literary
quite like these crossovers do. It’s not like Room, because the MCs’ lives are traced over a period of formative
years. It seems more of a hybrid of the two. Whatever it is, I want to tap it.
Another amazing revelation spawned from
Aimee Bender’s Cake is my gift, which
I now accept as such wholeheartedly. You see, in Cake it turns out that various members of Rose’s family have gifts
approximating her ability to taste emotions in a dish. They just never talk
about them. Too taboo. Hits too close to home. Yadda, yadda. Déjà vu reverberated
in my brain as I empathized with these characters. Why? It finally dawned on
me. I have a similar—albeit not so glamorous—ability. Titles sing to me. When I
walk into a library, I never have to research authors or ask the librarian or
even friends for recommendations. If there is a book I’d like to read but I’ve
forgotten the author, I don’t need to look it up. I pick an aisle, stroll through
and wait. Eventually a title will blink from the towering shelves that flank me
on either side. That’s right—the spine of one book surges up, shot through with
light. (Hey! At least I didn’t admit to masticating on hate and greed. Work
with me here!) Oftentimes, it is the very book I had in mind. Sometimes it’s
not, but it’s still one I need to read.
Now, I’m not going to claim that the book
jumps off the shelf into my hand, but if I’d somehow stumbled into The Particular Sadness of Lemon Cake
(which I had, by the way, and stayed fully immersed there for two days), it
would do just that. And, honestly, I shouldn’t make the poor books do all the work. I contribute by plucking
the book with the ticker-tape-ish, blinking spine off the shelf. (Alright, alright. In all fairness, the title only blinks until I touch
it.) I then take it to the front counter, where I check it out. On occasion, I ignore the blinking one and steal off to aisle Er-Fa for a
nice, light Janet Evanovich. Those never blink at me. They wink.
I haven’t confided this to many people
over the years, but when I have it’s almost always garnered me some odd looks,
which I’ve got to say are pretty scary coming from people who already know how
weird I am. That can’t be what really happens, these looks seem to say. That
doesn’t happen.
An obvious choice |
I shrugged. “I don’t know. I just picked
it up at the library.”
“That’s weird,” he said. “Because I’m taking an intensive course on Greene.” He scratched his head and cleaned his glasses. Then he shrugged too, and we continued our game. (It was a board game. Imagine that.) My brother had been researching Graham Greene for months, was writing a paper on him, but couldn’t remember ever mentioning it to me. We never talked about school in our household. Our parents used some sort of reverse psychology to get us to attend college. They trashed the universities non-stop, labeling them useless, money-grabbing outfits. We enrolled quicker than you can say Ponzi scheme.
“That’s weird,” he said. “Because I’m taking an intensive course on Greene.” He scratched his head and cleaned his glasses. Then he shrugged too, and we continued our game. (It was a board game. Imagine that.) My brother had been researching Graham Greene for months, was writing a paper on him, but couldn’t remember ever mentioning it to me. We never talked about school in our household. Our parents used some sort of reverse psychology to get us to attend college. They trashed the universities non-stop, labeling them useless, money-grabbing outfits. We enrolled quicker than you can say Ponzi scheme.
Which brings me to Numero Three in the
life-changing bullet-point list regarding The
Particular Sadness of Lemon Cake. Bender weaves the story in a way that
makes the reader believe. I won’t
ruin the ending, except to say that something happens which would be all-out
laughable if Aimee Bender wasn’t such a skilled storyteller. My husband did laugh when I told him. But the same
retelling that inspired such mirth for him chilled my soul. As the unbelievable words made lyrical fiction escaped my
lips, they rendered my harmless little skill (which I now argue taps the
psychic energy of an Avatar-esque mother tree that is the written word)
ominous. The blinking could mean use caution instead of read this, I thought. Like poor Zan in the above video, my Wonder-Twin power fizzled to crap. It had never occurred to me before that the blinking guides to my reading decisions could
be dangerous. Until now. I mean, what makes them
blink? Who chooses them? It doesn’t
feel like it’s me.
Then, to my horror, I saw the parallel to writing,
which is often like a monster in the attic threatening to break out. Unmentionable,
uncontrollable and somehow deviant. My writing has historically been the thing
that needed to be suppressed, whereas the reading part is A-okay. More ominous info: I’ve been writing so hard these days I’m afraid I will fuse to
my chair. No, wait, what I meant to say is that it would be easier and far more
acceptable to fuse to the chair than to get the words onscreen arranged to my
satisfaction. That’s how I feel. Bereft. This is usually when I take a break
and do some reading.
But maybe at moments like these I should
push harder. If it’s the reading that
is deviant, I can grant myself permission to continue to write. I’ll do an
experiment and take a little vacay from the library—or at the very least
get some blinders. Perhaps I’ll go back to pretending I’m simply intuitive when
it comes to selecting reading material. Except now the cat’s out of the bag. Do
me a favor. Forget I ever mentioned the blinking part. Unless…anyone else have
a benign "skill" they’d like to confess?
Monday, May 6, 2013
Womb with a View
I can say with complete confidence that
having kids makes me a better writer. Not only does it allow me to be around
young adults, to observe them and to empathize with them (without racking up
stalking charges) it puts my world into perspective, which enhances all my
fictional worlds. It’s especially helpful since I write young adult novels. However,
I believe it helps in the realm of general fiction too. Nothing feels emptier
to me than a book wallpapered with stereotypical children thrown in just
because they exist. Any parent knows that kids are rarely stereotypes, yet people
who don’t know any kids tend to cast them as such.
Even a grand Matriarch like Mary Higgins
Clark has some tiny characters toddling through her books that just don’t seem
real. I think she writes them like that to contraindicate the screaming-kid-on-the-plane syndrome. She doesn’t want to turn off members of her potential
audience with whiny kids. Or, being Catholic, she doesn’t want to come across
as an advocate of birth control. I don’t know. It’s a puzzle.
I am lucky not to have to worry about falling
into the cardboard kid trap. Thirteen years of research and some stretch marks under
this belt, baby. Kids in my stories will be very
realistic. Indecipherable wonders all.
So, that’s settled. If you want to write
kids in, having them or researching them is a must. (Author's note: Researching is cheaper and
not as gross—but you don’t get dibs on a cure for cancer.)
By the same token, shouldn’t writing for kids—or even in general—make us better parents? I would argue that it does. That’s why it's great for all parent to keep some written record of it. The baby book doesn't count. The baby book is lame. Mine causes more stress than anything (which one’s most finished, are they equal, aaaahh!). I’d much rather write a full-length novel than fill out the freaking baby book, but that’s just me. I’ll concede they have a certain historical merit. It’s probably no coincidence that they have been around so long, proving the existence of a writing/parenting connection even back before people talked about such things. Now with the advent of blogging, scrapbooking and the myriad other ways we can chronicle our parenting journey, it’s much easier. We should be awesome parents in the digital age.
By the same token, shouldn’t writing for kids—or even in general—make us better parents? I would argue that it does. That’s why it's great for all parent to keep some written record of it. The baby book doesn't count. The baby book is lame. Mine causes more stress than anything (which one’s most finished, are they equal, aaaahh!). I’d much rather write a full-length novel than fill out the freaking baby book, but that’s just me. I’ll concede they have a certain historical merit. It’s probably no coincidence that they have been around so long, proving the existence of a writing/parenting connection even back before people talked about such things. Now with the advent of blogging, scrapbooking and the myriad other ways we can chronicle our parenting journey, it’s much easier. We should be awesome parents in the digital age.
Or not.
In my case, my writing makes me a better parent because it puts me in the same boat as my kids. We’re, like, co-conspirators in growth, sharing funny stories along the way. They tell me all about what happens at school. I file it away and tell them I will use that someday. They’re, like, wow my experiences belong in a book! Everyone feels valued. I write the promised book and then another and another. I go to conferences, I learn. With each new book I’m pushing further and further, pressing against that membrane that is keeping me from fulfilling my potential as a writer. I’m a fledgling in the womb and someday, I’ll be out.
In my case, my writing makes me a better parent because it puts me in the same boat as my kids. We’re, like, co-conspirators in growth, sharing funny stories along the way. They tell me all about what happens at school. I file it away and tell them I will use that someday. They’re, like, wow my experiences belong in a book! Everyone feels valued. I write the promised book and then another and another. I go to conferences, I learn. With each new book I’m pushing further and further, pressing against that membrane that is keeping me from fulfilling my potential as a writer. I’m a fledgling in the womb and someday, I’ll be out.
The kids are going through a similar struggle.
I offer them my help and support (plus room and board as required by law). They
can’t avoid giving me theirs in return. That’s the beauty of this
arrangement. Like I said, they enrich my writing—in the very same way they do
my life—just by being their rambunctious selves. They’ve saved me thirteen
years of grueling research. How could you not
love that? This totally makes up for all the fingerprint graffiti on the wainscoting
and the puke I’ve laundered out of clothes and linens.
All kidding aside, how invaluable is that, for a child to see his parent go through such a journey? Now that I think about
it, it could be any journey, except writing is a particularly good example.
There are so many womb-y parallels like the one I’ve just mentioned. It’s also a highly visible, amazing transformation. Writing happens right before their eyes, albeit gradually. You might be able to keep writing a secret from the outside world, but your immediate family has to know you’re working on something. They see you typing. They know you’ve ditched out of family time. They see the sacrifice and the rejection. (It’s kind of humiliating, really. I mean, aren’t you supposed to always know best?) Then suddenly, what was once a compilation of scraps
of prose in notebooks or scribbled on napkins becomes a typed behemoth of three-hundred
pages. It will ideally become a real and far more compact book.
But really, it's a story that comes out of it all of this. The kids listen, and their eyes pop just like they do when the butterflies emerge from
those little mail-order chrysalises we fed and nurtured all those weeks. It seems impossible when the larva takes on life, but that’s the secret behind
the very essence of wonder.
In our house, it's a given that once my kids decide upon their passion, I’ll help them get to the same place. It’s not the same as getting a promotion at work, rising through the ranks and assuring them a job when they're ready. I can’t make a phone call or throw money at them while they languish in uncertainty on their way to their own careers. But I can give them the human connection they need on their way to any real achievement. I can tell them from experience that it might not turn out the way they planned, but it will turn out okay. I can give them the kind of parenting spawned from years of writing over, under and around obstacles. That's way better than a trust fund, right? Or a horse. Or a trip to Disney or an I-phone or a...well, anyway--that's my story and I'm sticking to it, so there.
In our house, it's a given that once my kids decide upon their passion, I’ll help them get to the same place. It’s not the same as getting a promotion at work, rising through the ranks and assuring them a job when they're ready. I can’t make a phone call or throw money at them while they languish in uncertainty on their way to their own careers. But I can give them the human connection they need on their way to any real achievement. I can tell them from experience that it might not turn out the way they planned, but it will turn out okay. I can give them the kind of parenting spawned from years of writing over, under and around obstacles. That's way better than a trust fund, right? Or a horse. Or a trip to Disney or an I-phone or a...well, anyway--that's my story and I'm sticking to it, so there.
Friday, April 26, 2013
What's a Thousand Words Worth?
My blog has been on
hiatus while I participated in my first Nanowrimo Camp. Now that the camp is
winding down, and it’s looking as though I will make the 50,000 word goal, I
can get back to blogging regularly. An added bonus: I have a new novel to fine
tune this summer. For any writers who haven’t tried out National November Writing
Month, I highly recommend it. The event is not just in November anymore (which
was always my excuse t' NOT to) Writing camps are scattered throughout the year,
so chances are there will be one that fits your schedule. There’s no excuse.
Do Nano.
Not that Nano. Trust me, the one sponsored by the Office of Letters and Light is way cooler. (Oh, if only we'd been spared the sight of Robin Williams' rise to fame!) So anyway, I’ve been thinking about that
old cliché: A picture’s worth a thousand words, which got me thinking about
Sarah Simmons from The Voice. (I know. ADHD much?)
Here’s the tie-in. The Voice is a singing
contest based on blind auditions, which shot it over Idol in terms of must-see
TV for me. It also makes for a good parallel—at least in my pole-riddled mind—to
writing and the query process. Ideally, the query process should boil down to just
a literary agent or editor and your words. The big phone call is the equivalent
of Usher or Shakira hitting the red button and making their ridiculously large
chair rotate quicker than you can say anticlimax.
Except….for us there’s no audience for
first attempts. We get no applause, no gasp of wonder—not even when a polished
draft is read. None that we can hear, anyway. I send my drafts to critique
partners, who type out comments and email me back. Everything is delayed, all
emotions diluted by time gaps and distance. It’s positive reinforcement, but it
sometimes seems more like a homework session.
That’s why I’m so jealous of Sarah Simmons. I’d
probably body-slam her if she were in the room with me right now. And I would
do serious damage (but I’d avoid her vocal cords, because that would be harsh).
I think she’ll win The Voice, and that even if she doesn’t win she’ll get a
record deal. Bummer! It’s not that she doesn’t deserve it. She totally does.
What rankles about Sarah is that she gets to Wow everyone on her way up. Case
in point:
I mean, seriously.
Check out her dad. If my dad ever expressed even one millionth that amount of
pride in me, I’d pack up writing, torch my laptop and die happy. He never will,
because that's how he is, but also because my talent is pretty boring in comparison.
Who could blame him for not being impressed? Very few people are wowed by bundles of notebook pages
and/or computers displaying screen upon screen of unbroken text. Even
someone that gets excited about writing is bound to run the other way when I
pull out my notes and first drafts. I would run. It’s scary looking. In contrast, I could watch The Voice for hours.
What fascinates me about that show is the
behind-the-scenes glimpse it gives of the work those songsters-in-progress put
into practice sessions. What once seemed effortless is revealed for what it
really is: raw talent refined with old-fashioned hard work. It’s gratifying to see something like that. To
be a part of it. All I know is that this duet sucked when they performed it for
Adam Levine. And now look.
No one wants to see a behind-the-scenes compilation
of my rewrites. Nor will they want to stake a claim in a career that might not even happen. And there's no real proof that it will. If
I were an artist, a sculptor, a Slam poet, a filmmaker—if I engaged in any
other artistic pursuit, I’d have something tangible to show for it. So yeah, I’m
going to whine a little. It’s unfair that our struggle is the exact same as that
of the singers on The Voice, yet we don’t get to hear the applause or the swish
of those chairs spinning round. One might argue that it’s because we’re not yet
writers (in the professional sense). Then again, Sarah’s not a professional singer,
either. Yet.
Maybe I should take up sculpting.
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